"Olive Barstow was dead. She'd been hit by a car on Monroe Street while riding her bicycle weeks ago. That was about all Martha knew." Martha Boyle and Olive Barstow could have been friends. But they weren't -- and now all that is left are eerie connections between two girls who were in the same grade at school and who both kept the same secret without knowing it. Now Martha can't stop thinking about Olive. A family summer on Cape Cod should help banish those thoughts; instead, they seep in everywhere. And this year Martha's routine at her beloved grandmother's beachside house is complicated by the Manning boys. Jimmy, Tate, Todd, Luke, and Leo. But especially Jimmy. What if, what if, what if, what if? The world can change in a minute. Performed by Blair Brown Distributed by Syndetic Solutions, Inc.

With his usual sensitivity and insight, Henkes (The Birthday Room) explores key issues of adolescence, through the observations of aspiring 12-year-old writer Martha Boyle. In the opening scene on an August morning in Madison, Wis., Martha receives a visitor: the mother of her classmate Olive Barstow, who was hit by a car the month before. The woman hands Martha a journal entry, in which Olive describes her own wish to be a writer-and to "get to know Martha Boyle next year... the nicest person in my whole entire class." Since Olive kept to herself, these revelations forge an unexpected bond between Martha and this classmate she never knew. The other hope Olive confides in the entry is that she could "one day... go to a real ocean such as the Atlantic or Pacific." Martha begins an unwitting pilgrimage of sorts: she strolls with her toddler sister to the corner where Olive died and, when she goes to visit her grandmother, Godbee, on Cape Cod, Martha experiences the ocean for Olive and for herself. In brief chapters, Henkes reveals Martha's discovery of life's fleeting qualities, her deepening bond with Godbee, and her first stirrings of romantic feeling and betrayal. Readers can peer through this brief window into Martha's life and witness a maturation, as she becomes a young woman, appreciates life anew and finds a way to give something back to Olive. Ages 10-up. Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. From: Reed Elsevier Inc. Copyright Reed Business Information

Gr 5-8-As Martha and her family prepare for their annual summer visit to New England, the mother of her deceased classmate comes to their door. Olive Barstow was killed by a car a month earlier, and the woman wants to give Martha a page from her daughter's journal. In this single entry, the 12-year-old learns more about her shy classmate than she ever knew: Olive also wanted to be a writer; she wanted to see the ocean, just as Martha soon will; and she hoped to get to know Martha Boyle as "she is the nicest person in my whole entire class." Martha cannot recall anything specific she ever did to make Olive think this, but she's both touched and awed by their commonalities. She also recognizes that if Olive can die, so can she, so can anybody, a realization later intensified when Martha herself nearly drowns. At the Cape, Martha is again reminded that things in her life are changing. She experiences her first kiss, her first betrayal, and the glimmer of a first real boyfriend, and her relationship with Godbee, her elderly grandmother, allows her to examine her intense feelings, aspirations, concerns, and growing awareness of self and others. Rich characterizations move this compelling novel to its satisfying and emotionally authentic conclusion. Language is carefully formed, sometimes staccato, sometimes eloquent, and always evocative to create an almost breathtaking pace. Though Martha remains the focus, others around her become equally realized, including Olive, to whom Martha ultimately brings the ocean.-Maria B. Salvadore, formerly at District of Columbia Public LibraryCopyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. From: Reed Elsevier Inc. Copyright Reed Business Information

Gr. 5-8. More than anything Martha wants to be a writer. The problem is that her father does, too. Is there room for two writers in a single family? This is only one of the many questions that beg to be answered during Martha's twelfth summer. Here are others: Is Godbee, the paternal grandmother whom the family is visiting at Cape Cod, dying? Why is Martha's father so angry? Could Jimmy, the eldest of the five neighboring Manning brothers, be falling in love with her (and vice-versa)? And what does all this have to do with Olive, Martha's mysterious classmate, who died after being hit by a car weeks earlier? Olive, who also wanted to be a writer and visit the ocean, and hoped to be Martha's friend. Like Henkes' Sun and Spoon (1997), this is another lovely, character-driven novel that explores, with rare subtlety and sensitivity, the changes and perplexities that haunt every child's growing-up process. He brings to his story the same bedrock understanding of the emotional realities of childhood that he regularly displays in his paradigmatically perfect picture books. This isn't big and splashy, but its quiet art and intelligence will stick with readers, bringing them comfort and reassurance as changes inevitably visit their own growing-up years. MichaelCart. From: Syndetics Solutions, Inc. Distributed by Syndetic Solutions, Inc.